Nine Months for One Painting
Working in thin layers means most of the time is spent waiting, which changes what the painting ends up being about.
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Working in thin layers means most of the time is spent waiting, which changes what the painting ends up being about.
Undercutting the gallery that shows your work is the fastest way to stop having one.
A camera flattens the exact thing the painting is about.
The commission looks enormous until you cost out doing it yourself.
For anyone who has been invited and is quietly unsure what is expected of them.
The support is not a neutral thing you paint on top of. It is half the painting.
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